Comparison of 3 conditions: Yuanmingyuan summer palace/ National ARt museum of China/ Underground Apartment art
Could be interesting to see how these 3 conditions are represented graphically.
Bothe the Old Summer palace and the 798 district emerge in the outskirts of the city. Conversely NAMOC occupies the same territory as the forbidden palace. We’re looking at a grid compared to the breakdown of the grid, as conditions of ‘Institute’ and emergence. The significance of the old summer palace and 798 does not exist without the official acknowledgement of art granted through institutions like NAMOC.